(#85) Masque, Ijebu - Yoruba, Nigeria
Mask, Ijebu - Yoruba - The Ijebu have adopted and adapted the masks of Ijo, they either call or Ekine Agbo. "Masks Celebrations Agbo / Ekine celebrate water spirits, especially their contribution to economic well-being of coastal communities" (Drewal in RMN, 1997: 78). This mask - the most famous of Ijebu masks - is a water spirit, holding both of the antelope will and two fish eagles igodo, whose role is to communicate the messages of the water spirits humans
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(#118) Poteau funéraire, Chonyi/Giriama, Kenya
Africa | Funerary post from the Chonyi/Giriama people of Kenya | Wood, white and ochre pigments || ca. 1974/76 | These are designed to capture the deceased (and not to make the location of his grave) and the geometric patterns reflect the clothing worn by notables, symbolizing social status and political power.
Tomah Joseph, birchbark box - Infinity of Nations: Art and History in the Collections of the National Museum of the American Indian - George Gustav Heye Center, New York
Tomah Joseph (Passamaquady), ca. 1900 made of birch bark and spruce root- Collections of the National Museum of the American Indian - George Gustav Heye Center, New York
Penobscot band basket, ca. 1860
Penobscot band basket, ca. 1860. This form of basket is referred to as a "band" basket from the brightly colored splints used in the piece. Cadmium yellow, iron oxide red, Prussian blue and indigo were swabbed onto the exterior surface of the splints only. Such commercially produced pigments were costly and used sparingly. Band baskets were destined for home use to store hats, clothes or linen, or for use in travel as "suitcases." Item # 23438 on Maine Memory Network