Clara Mosconi
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Ferdinand Hodler  “Emocion”

Ferdinand Hodler “Emocion”

Ferdinand Hodler

Ferdinand Hodler

Ferdinand Hodler - Adoration.  Art Experience:NYC  http://www.artexperiencenyc.com/social_login

Ferdinand Hodler - Adoration. Art Experience:NYC http://www.artexperiencenyc.com/social_login

cordisre: Hands by Egon Shiele. Reminds me of my left-handed approach to drawing (I draw mainly right-handed).

cordisre: Hands by Egon Shiele. Reminds me of my left-handed approach to drawing (I draw mainly right-handed).

the hangman's beautiful daughter — everminding: Egon Schiele

the hangman's beautiful daughter — everminding: Egon Schiele

love Egon Schiele's use of line and colour - particularly the thinned gouache with brush strokes visible - or is that watercolour

love Egon Schiele's use of line and colour - particularly the thinned gouache with brush strokes visible - or is that watercolour

Egon Schiele - The Couple, 1909 -repinned from http://LinusGallery.com #art #artists

Egon Schiele - The Couple, 1909 -repinned from http://LinusGallery.com #art #artists

workman: iamjapanese: Egon Schiele(Austrian, 1890-1918) Desktop in the prisoner of war camp in Mühling 1916

workman: iamjapanese: Egon Schiele(Austrian, 1890-1918) Desktop in the prisoner of war camp in Mühling 1916

Egon Schiele (Austrian, 1890-1918), Liebende [Lovers], c.1909. Pencil and coloured crayon on paper, 31.5 x 29.5 cm.

Egon Schiele (Austrian, 1890-1918), Liebende [Lovers], c.1909. Pencil and coloured crayon on paper, 31.5 x 29.5 cm.

Egon Schiele: title unknown [nude sketch of woman; overview of subject facing viewer and crouched over floor], Line drawing + chalk + watercolour. Expressionism. "An emaciated simplicity of line, as beauteous in its exclusion..."

Egon Schiele: title unknown [nude sketch of woman; overview of subject facing viewer and crouched over floor], Line drawing + chalk + watercolour. Expressionism. "An emaciated simplicity of line, as beauteous in its exclusion..."