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Variation 12 1938. Max Bill was a Swiss architect, artist, painter, typeface designer, industrial designer and graphic designer. After an apprenticeship as a silversmith during 1924-1927, Bill took up studies at the Bauhaus in Dessau under many teachers including Wassily Kandinsky, Paul Klee and Oskar Schlemmer from 1927 to 1929.

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Max Bill*untitled schwarz pink*zugeschnitt.Ed.1989/90*Zürcher Schule d.Konkreten

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julialukedesign: Max Bill. Konstruktion für eine Figur / Japanese Screenprint / 1969 Max Bill was born the 22 December 1908 in Winterthur, Swizterland. After completing an apprenticeship as a silversmith (1924-1927), he studied at the Bauhaus in Dessau underJosef Albers, Wassily Kandinsky, Lazlo Moholy-Nagy, Paul Klee and others. In 1929, he returned to Zurich where he worked as an architect, painter, graphic designer and sculpture and later as a product designer. From 1932 to 1936, he was…

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Max Bill #geometry #graphics #maxbill

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Max Bill (1908-1994), Endless Twist, bronze, 1953-56. Middelheim Museum, Antwerpen

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Book cover Max Bill 1942 Swiss

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1950s. Variation on neo-concrete artist Max Bill who was a Swiss architect, artist, painter, typeface designer, industrial designer and graphic designer, who trained at the Bauhaus, under Kadinsky, Klee, and Schlemmer.

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Max Bill - »horizontal-vertikal-diagonal-rhythmus«, oil on canvas, 1942 #Max Bill #1940s art #painting

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Triparite Unity, 1947 (grand prize for sculpture at first São Paulo Bienal, 1951). Max Bill was a Swiss architect, artist, painter, typeface designer, industrial designer and graphic designer. After an apprenticeship as a silversmith during 1924-1927, Bill took up studies at the Bauhaus in Dessau under many teachers including Kandinsky, Klee and Schlemmer from 1927 to 1929, after which he moved to Zurich.

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Ausstellung Max Bill zum 100. Geburtstag by ReneSpitz,

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Max Bill

max bill | Max Bill | [ adbrio's websoil ]

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max bill decdesignecasa.blogspot.it

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Max Bill - Four Lines of Equal Length - 1946 „Even in modern art, artists have used methods based on calculation, inasmuch as these elements, alongside those of a more personal and emotional nature, give balance and harmony to any work of art.” – Max Bill http://www.wikipaintings.org/en/max-bill

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Ausstellung Max Bill: »ohne Anfang, ohne Ende« by ReneSpitz

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Dark Side of Typography

Max Bill, Olympic Rings, 1979

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(still pretty fab now but imagine how amazing it must have looked in 1938...) Max Bill original lithograph "Variation 13" (1938)

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the foundations max Bill http://decdesignecasa.blogspot.it

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