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Robert roschenberg

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Satellite, 1955. Robert Rauschenberg was a showman, a trickster, a shaman, and a charmer. In the retrospective that recently closed at Tate Modern in London and will be arriving at the Museum of Modern Art in New York this May, museumgoers are confronted with many different things: the imprint of an automobile tire; a couple of rocks tied with pieces of rope or string; paintings that are all white, all black, or all red; a sheet and pillow spattered with paint; a drawing by Willem de Kooning tha Assemblage Art, Claes Oldenburg, Art Du Collage, Robert Rauschenberg, Jasper Johns, Pop Art Movement, Roy Lichtenstein, Whitney Museum, Mark Rothko
Assemblage Art
Claes Oldenburg
Art Du Collage
Robert Rauschenberg
Jasper Johns
Pop Art Movement
Roy Lichtenstein
Whitney Museum
Mark Rothko

The Confidence Man of American Art | Jed Perl

Robert Rauschenberg was a showman, a trickster, a shaman, and a charmer. In the retrospective that recently closed at Tate Modern in London and will be arriving at the Museum of Modern Art in New York this May, museumgoers are confronted with many different things: the imprint of an automobile tire; a couple of rocks tied with pieces of rope or string; paintings that are all white, all black, or all red; a sheet and pillow spattered with paint; a drawing by Willem de Kooning that…

Combine (1954–64) | Robert Rauschenberg Foundation James Rosenquist, Claes Oldenburg, Oil Paper, Collage Kunst, Robert Rauschenberg, Pop Art Movement, Jasper Johns, Roy Lichtenstein, Paper Fabric
James Rosenquist
Claes Oldenburg
Oil Paper
Collage Kunst
Robert Rauschenberg
Pop Art Movement
Jasper Johns
Roy Lichtenstein
Paper Fabric

Combines (1954–64)

The Robert Rauschenberg Foundation fosters the legacy of the artist’s life, work, and philosophy. We increase access to Robert Rauschenberg’s art, offer a residency program, and support artists, initiatives, and institutions that embody the same innovative, inclusive, and multidisciplinary approach that Rauschenberg exemplified in both his art and philanthropic endeavors.

Combine (1954–64) | Robert Rauschenberg Foundation James Rosenquist, Claes Oldenburg, Robert Motherwell, Robert Rauschenberg, Jasper Johns, Pop Art Movement, Art And Craft Videos, Roy Lichtenstein, American Painting
James Rosenquist
Claes Oldenburg
Robert Motherwell
Robert Rauschenberg
Jasper Johns
Pop Art Movement
Art And Craft Videos
Roy Lichtenstein
American Painting

Combines (1954–64)

The Robert Rauschenberg Foundation fosters the legacy of the artist’s life, work, and philosophy. We increase access to Robert Rauschenberg’s art, offer a residency program, and support artists, initiatives, and institutions that embody the same innovative, inclusive, and multidisciplinary approach that Rauschenberg exemplified in both his art and philanthropic endeavors.

Titled Whose Ice Is Colder?, [David Hammons’s] installation pointed to problems of patronage and power in the African-American community. In the second part of the show, Hammons displayed a flat-tired bicycle with a tape player strapped to its seat. Jumbled black clothes are slung on a road sign running through the bike. It would be easy to let these artifacts deteriorate into pathos, but Hammons sharply avoids sentiment. The cassette blared jazz by John Coltrane with abandon, loading the piece David Hammons, Sherrie Levine, Body Artwork, John Coltrane, Flag Painting, Robert Rauschenberg, Black Clothes, Road Sign, Tate Modern
David Hammons
Sherrie Levine
Body Artwork
John Coltrane
Flag Painting
Robert Rauschenberg
Black Clothes
Road Sign
Tate Modern

Then and Now: Untitled (After Rauschenberg)

The retrospective “Robert Rauschenberg: Among Friends” that appeared earlier this year at Tate Modern, in London, and is now at the Museum of Modern Art in New York through September 17 led us to explore in the pages of ARTnews how Rauschenberg spread his collaborative fervor. We trace the observations of critics and artists over […]

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