Julie Størup
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early 1500s Bust of a Woman | Cleveland Museum of Art

early 1500s Bust of a Woman | Cleveland Museum of Art

Stone cistern and sink. Detail from St Mark the Evangelist by Gabriel Malasskircher. 1478 Hedl at Museo Thysson-Bornemisza, Madrid

Stone cistern and sink. Detail from St Mark the Evangelist by Gabriel Malasskircher. 1478 Hedl at Museo Thysson-Bornemisza, Madrid

Underbodice  Quilted brocaded damask bodice lined with coarse cotton, printed in madder. The outer silk is a dark green damask, brocaded with a sprig in silver thread (file and frise), this silk probably dates from the 1690s but the quilting obscures the pattern.  The lining is a very coarse woven cotton printed in three shades of madder with a formal lattice pattern with pencilled blue details.

Underbodice Quilted brocaded damask bodice lined with coarse cotton, printed in madder. The outer silk is a dark green damask, brocaded with a sprig in silver thread (file and frise), this silk probably dates from the 1690s but the quilting obscures the pattern. The lining is a very coarse woven cotton printed in three shades of madder with a formal lattice pattern with pencilled blue details.

Ensemble  --  18th Century  --  Likely Austrian  --  The Costume Institute at The Metropolitan Museum of Art

Ensemble -- 18th Century -- Likely Austrian -- The Costume Institute at The Metropolitan Museum of Art

Jumps, ca. 1725; Arizona Costume Institute

Jumps, ca. 1725; Arizona Costume Institute

Woman's quilted waistcoat or jumps, in linen embroidered in red silk with a fish-scale like pattern, figures wearing turbans, cranes and floral sprays, low v-neckline at front, broad shoulder straps with eyelets for fastening front to back, sleeveless, centre front fastening with three linen ties, hip-length with flared skirt with slit openings at each side and centre back: possibly English, c. 1730 - 1760.

Woman's quilted waistcoat or jumps, in linen embroidered in red silk with a fish-scale like pattern, figures wearing turbans, cranes and floral sprays, low v-neckline at front, broad shoulder straps with eyelets for fastening front to back, sleeveless, centre front fastening with three linen ties, hip-length with flared skirt with slit openings at each side and centre back: possibly English, c. 1730 - 1760.

1719. Detail of "Diners on a Terrace" by Jan Joseph Horemans the Elder. She wears a quilted jacket and a quilted petticoat, but she's not cold enough to wear a cap, she only has a ribbon on her head.

1719. Detail of "Diners on a Terrace" by Jan Joseph Horemans the Elder. She wears a quilted jacket and a quilted petticoat, but she's not cold enough to wear a cap, she only has a ribbon on her head.

18th century common woman - 19

18th century common woman - 19

Ties for a brustfleck. The secret book of honours of the fugger family, Jorg Breu and Clemes Jager c1545  photo by A.Hartl

Ties for a brustfleck. The secret book of honours of the fugger family, Jorg Breu and Clemes Jager c1545 photo by A.Hartl

Hooks & eyes! Francesco Bianchi Ferrari, "Crocefissione con i santi Girolamo e Francesco" (Pala delle Tre Croci),Galleria Estense di Modena (Inv. 442); immagine di ANDREA CARLONI - RIMINI. E' molto interessante: mostra gancetti interni con "controparti femmine" (fila a destra) realizzate come semplici anellini ovalizzati, una variante della tipologia classica a forma di "omega", visibile invece nel "Giullare di corte Gonella" dipinto da Fouqet intorno al 1440-45c (KHM Berli...

Hooks & eyes! Francesco Bianchi Ferrari, "Crocefissione con i santi Girolamo e Francesco" (Pala delle Tre Croci),Galleria Estense di Modena (Inv. 442); immagine di ANDREA CARLONI - RIMINI. E' molto interessante: mostra gancetti interni con "controparti femmine" (fila a destra) realizzate come semplici anellini ovalizzati, una variante della tipologia classica a forma di "omega", visibile invece nel "Giullare di corte Gonella" dipinto da Fouqet intorno al 1440-45c (KHM Berli...