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an empty room with a chair in the middle
THE POWER OF GREY — STUDIO OLIVER GUSTAV - ARK JOURNAL
A tribute to the poetic yet haunting atmospheres of the canvases of Vilhelm Hammershøi, designer Oliver Gustav’s studio gallery is modelled on the oil-on-canvas interior paintings of the fêted Danish artist. A self-confessed extreme minimalist, Gustav finds his own sensibilities reflected in Hammershøi’s spareness. The story of Hammershøi’s artwork as guide for the studio of Oliver Gustav is featured in Ark Journal VOL III. WORDS: TILI BENSLEY-NETTHEIM. PHOTOGRAPHY: PETER RØDSGAARD RASMUSSEN
four photographs of different rooms and furniture in one photo, the other is an empty room
THE POWER OF GREY — STUDIO OLIVER GUSTAV - ARK JOURNAL
A tribute to the poetic yet haunting atmospheres of the canvases of Vilhelm Hammershøi, designer Oliver Gustav’s studio gallery is modelled on the oil-on-canvas interior paintings of the fêted Danish artist. A self-confessed extreme minimalist, Gustav finds his own sensibilities reflected in Hammershøi’s spareness. The story of Hammershøi’s artwork as guide for the studio of Oliver Gustav is featured in Ark Journal VOL III. WORDS: TILI BENSLEY-NETTHEIM. PHOTOGRAPHY: PETER RØDSGAARD RASMUSSEN
an empty room with a table and chair next to a painting on the wall above it
THE POWER OF GREY — STUDIO OLIVER GUSTAV - ARK JOURNAL
A tribute to the poetic yet haunting atmospheres of the canvases of Vilhelm Hammershøi, designer Oliver Gustav’s studio gallery is modelled on the oil-on-canvas interior paintings of the fêted Danish artist. A self-confessed extreme minimalist, Gustav finds his own sensibilities reflected in Hammershøi’s spareness. The story of Hammershøi’s artwork as guide for the studio of Oliver Gustav is featured in Ark Journal VOL III. WORDS: TILI BENSLEY-NETTHEIM. PHOTOGRAPHY: PETER RØDSGAARD RASMUSSEN
an empty room with a chair in the middle
THE POWER OF GREY — STUDIO OLIVER GUSTAV - ARK JOURNAL
A tribute to the poetic yet haunting atmospheres of the canvases of Vilhelm Hammershøi, designer Oliver Gustav’s studio gallery is modelled on the oil-on-canvas interior paintings of the fêted Danish artist. A self-confessed extreme minimalist, Gustav finds his own sensibilities reflected in Hammershøi’s spareness. The story of Hammershøi’s artwork as guide for the studio of Oliver Gustav is featured in Ark Journal VOL III. WORDS: TILI BENSLEY-NETTHEIM. PHOTOGRAPHY: PETER RØDSGAARD RASMUSSEN
a man standing next to a tall vase in a living room with furniture and decor
VOGUE Living Australia - Oliver Gustav New York
VOGUE Living Australia - Oliver Gustav New York
a man standing next to a tall vase in a living room with furniture and decor
VOGUE Living Australia - Oliver Gustav New York
VOGUE Living Australia - Oliver Gustav New York
a magazine cover with vases and sculptures on the table
VOGUE Living Australia - Oliver Gustav New York
VOGUE Living Australia - Oliver Gustav New York
an open door leading to a room with white walls and wood floors, along with a chair
RUM Magazine, Living - Oliver Gustav
RUM Magazine, Living - Oliver Gustav
an article in a magazine with pictures of people
RUM Magazine, Living - Oliver Gustav
RUM Magazine, Living - Oliver Gustav
a living room with white walls and wood floors is featured in an article about interior design
RUM Magazine, Living - Oliver Gustav
RUM Magazine, Living - Oliver Gustav
the front page of a magazine with an image of a glass table
RUM Magazine, Living - Oliver Gustav
RUM Magazine, Living - Oliver Gustav
an image of a living room setting with white walls and wood flooring in the background
RUM Magazine, Living - Oliver Gustav
RUM Magazine, Living - Oliver Gustav